All posts by Pam

Preparing for Assignment 3

At Edisto Beach Interpretive Center (October 17, 2012, noon)

It was perhaps four years ago that I visited the Edisto Beach Interpretive Center. As I entered the front door, my eye was led to this quote high upon the wall; it is the first visual presented to visitors. The words went straight to my heart. I entered the quote into the notebook full of nature quotes that I was building at the time. I was illustrating the quotes in the notebook with watercolors.

That notebook is now full, and two other assignments are completed (“Things Are Alive” and “Art in the Making: Entering the Void with the Eyes Open”). As I formulate the third assignment since I began the blog, I once again arrive underneath this quote.

I appreciate the guidance I am receiving as I prepare for the next step of my journey as one who enters the void with the eyes open.

 

Be brave. Take risks. Nothing can substitute experience.

Paulo Coelho

Charleston Door (Charleston, SC, October 21,2012, 12:04 pm)
Is it possible to make a living by simply watching light? Monet did. Vermeer did. I believe Vincent did too. They painted light in order to witness the dance between revelation and concealment, exposure and darkness. Perhaps this is what I desire most, to sit and watch the shifting shadows cross the cliff face of sandstone or simply to walk parallel with a path of liquid light called the Colorado River. In the canyon country of southern Utah, these acts of attention are not merely the pastimes of artists, but daily work, work that matters to the whole community.
This living would include becoming a caretaker of silence, a connoisseur of stillness, a listener of wind where each dialect is not only heard but understood.

― Terry Tempest Williams, Red: Passion and Patience in the Desert

 

 We are only a brush in the hand of the Master Painter.

–Rumi

Concluding the Assignment: Entering the Void with the Eyes Open

The beauty of the world becomes my own when I live in continuous, unbroken awareness.

When in the state of continuous, unbroken awareness, every breath becomes even– this breath then becomes the point of unflinching focus.

Each movement that I make can constellate and extend conscious awareness– when it is done mindfully.

I have achieved the goal of my assignment. I understand what it is to enter the Void with the eyes open. It is to invoke continuous, unbroken awareness– the Witness state– where the breath is even and where I see myself as well as the “external” world. I am then capable of conscious action– otherwise not.

The prescribed medium of ballpoint pen led me to focus on details; this enabled me to “enshrine the ordinary world.”  The assignment title led me to experiencing the Witness state. I was given the assignment so that I can come to live in the Witness state in the ongoing moments of daily life. This has been a deep wish of mine, and it has been granted.

All phenomena emerge from the Great Void. Everything is being created in every moment. Nothing is fixed. Only the mind is fixed, and it is only the fixed mind that blocks me from knowing the Truth.

In a practical sense, as I go on to the next assignment, I must require of myself that I enter the Witness state and strive to remain there.

Becoming one with everything, a person should perceive the highest truth.

Shree Guru Gita

 

Being all-pervasive, Kundalini is the witness of everything, the knower of all that can be known.

— Baba Muktananda

 

Notes on Next Assignment.

To be interested in the changing seasons is a happier state of

mind than to be hopelessly in love with spring.

~George Santayana

First Frost (September 30, 2012, 8:29 am, Anchorage, AK)

Follow the course of nature day by day.

— Gurumayi Chidvilasananda

Begin with the knowledge of the ineffable, and allow That to express itself through you.

Entering the Void with the Eyes Open

All memorable events, I should say, transpire in the morning time and in  a morning atmosphere. The Vedas say, ‘All intelligences awake with the morning.’ Poetry and art, and the fairest and most memorable actions of men, date from such an hour. All poets and heroes, like Memnon, are the children of Aurora, and emit their music at sunrise. To him whose elastic and vigorous thought keeps pace with the sun, the day is a perpetual awakening. It matters not what the clocks say or the attitudes and labors of men. Morning is when I am awake and there is a dawn in me. Moral reform is an effort to throw off sleep. Why is it that men give so poor an account of their day if they have not been slumbering? They are not such poor calculators. If they had not been overcome with drowsiness they would have performed something. They millions are awake enough for physical labor; but only one in a million is awake enough for effective intellectual exertion, only one in a hundred millions to a poetic or divine life. To be awake is to be alive…

We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us in our soundest sleep. I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavor. It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour.

— Henry David Thoreau, Walden

Atlantic Dawn (May 12, 2012, 6:25 am, Edisto Island, SC)

Earth Turns Into Gold

Birches at Equinox (Sept 22, 2012, 3:25 pm, Anchorage, AK)
Crabapple Leaves on Deck (Sept 28, 2012, 10:59 am, Anchorage, AK)

When grace strikes, earth turns into gold,

The common stone is charged with alchemy.

Look, the bliss I sought for years and years,

Now flashes upon my sight.

There in a temple wombed in earth,

I’ve seen a gem, and cast my past behind me forever.

 

Unimaginable, the the light in the eye.

Indescribable, the ring in the ear.

Incomparable, the taste on the tongue.

Immeasurable, the peace of the inconceivable sushumna nadi.

 

Everywhere you’ll find him in the tiniest particles of dust,

In the hard wood or a tender blade of grass.

He is everywhere,

The subtle, the imperishable,

The unchanging Lord.

— Allama Prabhu

Across the Street (Sept 22, 2012, 6:44 pm, Anchorage, AK)

Art in the Making: Entering the Void with the Eyes Open 15

“The Summer’s Life Has Yielded Itself Into My Keeping.” –Rudolf Steiner

This drawing was done over a time period of perhaps ten days– as a result, the season had moved along its trajectory towards fall from the beginning to the end of the drawing period.

I decided to begin with drawing part of the Sitka rose hedge close up, and was sitting on the grass doing so, when a dragonfly flew by really close and landed on the mailbox. It was a sure sign he wanted to be in the drawing. He dutifully remained on the mailbox and allowed me to take several pictures, which I used to help me render him accurately in the drawing.

I had not been certain about the background, but I finally settled on the hedge itself so that the circle is kind of like a magnifying glass. The Steiner verse conveys my inner feeling about this time of year. I do feel that summer is being pulled to the inside of myself.

The energy is definitely pulling itself from the skies into the earth, and this is conveyed in the drawing. I didn’t plan it this way, but it the drawing process reveals this. I wanted to use words in this final drawing, and the words from Steiner’s The Calendar of the Soul for the Twenty Third Week (the week I began the drawing) were perfect:

There dims in damp autumnal air

The senses’ luring magic;

The light’s revealing radiance

Is dulled by hazy veils of mist.

In distances around me I can see

The autumn’s winter sleep;

The summer’s life has yielded

Itself into my keeping.

At the bottom of the picture, little “beings” came forth. They seemed to be saying that they were now going underground, so “goodbye” until next summer!

 

Autumn Equinox

I can belong now to myself

And shining spread my inner light

Into the dark of space and time.

Toward sleep is urging all creation,

But inmost soul must stay awake

And carry wakefully sun’s glowing

Into the winter’s icy flowing.

–Rudolf Steiner, The Calendar of the Soul, Twenty-fifth Week (September 22-28)

Geese/Autumn Equinox (Sept 22, 2012, 6:45 pm, Anchorage, AK)
Autumn Equinox (Sept 22, 2012, 3:26 pm, Anchorage, AK)

 

Fall Equinox at Loughcrew, County Meath, Ireland

Dawn, 22nd September 2012, the chamber within Cairn T on Slíabh na Callaighe, Loughcrew, Co. Meath, Ireland.Today is the Autumnal Equinox – the half way point between the solstices and the time of year when the position of the sun at sunset and sunrise changes as its most rapid pace. This morning, well before dawn, a crowd gathered on the top of the central hill at the Loughcrew megalithic complex, a passage tomb cemetery built in late stone age. At dawn on the equinox the rays of the rising sun shine directly into the very back chamber of the largest passage tomb, illuminating some extraordinary megalithic art carved roughly 5,000 thousand years ago by Ireland’s first farming communities, people possessing only stone and organic tools. These passage tombs are among Ireland’s earliest surviving buildings.

— “Shadows and Stone” on Facebook